Aesthetics in Macedonia -. Philosophical and cultural activity whose initial non-institutional forms arise in medieval theological and literary work, in the aesthetic reflections of medieval Macedonian art, Macedonian folk work, in the period of Macedonian ⅹⅰⅹ., especially through the ideas of Konstantin Miladinov and Grigor Prlichev, as well as in The period between the two world wars (Koco Racin and Nikola Vaptsarov). In an institutionalized form, it exists from the creation of the Faculty of Philosophy in Skopje and the Department (Institute) after philosophy. For the development of aesthetics in Macedonia, the appointment of Croatian philosopher Pavao Vuk-Pavlovic (c.) For professor at the Faculty of Philosophy in Skopje, who teaches aesthetics (1958-1965), developing in the spirit of a kind of culture theory. In 1959/60 he also formed aesthetic laboratory (c.). His assistant and follower as a professor of aesthetics is Georgi Stardelov (c.) That builds on the theory of Vuk-Pavlovic’s work and the most popup. Jacketooski: “artistic work” Order, in the context of the Marxist Aesthetics, and then more pronounced in the spirit of hermeneutics, sets the foundations of aesthetic thought in modern Macedonia. Among the aestheticians of this generation, Dimitar Dimitrov (c.), Which critically refers to the theory of activist art. The activity of the aesthetic laboratory is the implementation of the work of certain aesthetic concepts of the then ideas for connecting the culture of labor and the open aesthetics. Kiril Temkov (c.) Is managed by the aesthetic laboratory and theoretically devise, and the activity of Kica Bargieva-Colab is focused on the interpretation of the aesthetic thought of Theodore Adorno, the basics of the philosophy of art, as well as the possibilities and borders of aesthetics, while Ivan (Ivica ) Jewenoski (c.) In the aesthetics focuses on the issues of “artwork”, the “game” and the “sublime” and tries to connect analytical approaches with those of the continental aesthetics. Denko Skalovski, mostly challenges issues related to the aesthetics of music, but also with the relations between the arts. With the introduction, in the direction of aesthetics of postgraduate studies in philosophy, aesthetics begins to study in our country and in a theoretical more extensive context. Lit.: Mr. Stelelov, prolestemics for the development of aesthetics and aesthetic reflections among Macedonians, “modernity”, Skopje, 4, 1971, 289- 314 Iv. Ⅹ.
Original article in Macedonian language Cyrillic alphabet
Кириличен напис ЕСТЕТИКАТА ВО МАКЕДОНИЈА