Figurative art. The beginnings of contemporary Macedonian art are related to figurative performances that have their continued development throughout the entire ⅹⅹ c. There are more stylish expressions, starting with impressionism and expressionism (D. Pandilov, N. Martinoski, L. Lichenoski), and in the 50’s intimacy, folkism, Surrealism (V. Gjorgjievski, V. Kodjoman, S. Kunovski ). In the 60s and 70s, the expressionist current dominates (P. Mazev, Mr. Chemerski). In addition, the emergence of the new figure, hyperreealism and the new image (N. Frangovski, T. Lulovski, R. Anastasov, D. Manev, A. Stankovski). Lit.: Boris Petkovski, modern Macedonian painting, Skopje, 1981. Z. Al.-b. Stor, advocating for democratization and socialization of art. Felmed more independent exhibitions in the Republic of Macedonia and abroad: Valevo (1973; 1976), Skopje (1973, 1975, 1976, 1978 – With Simon Shemov, 1985, 1986), Belgrade (1976), Cairo (1984), Bitola (1986), Negotino (1986), Zrenjanin (1986), Belgrade (1986). Lit.: Lunaddamajanovska, Macedonian-black artists, Salon MoCA (Catalog), Belgrade, 1975/1976; Borespykovski, Figuration 1970, ninths blue salon (catalog), Zadar, 1977, 91, 97, 103 (with 2 reproductions); Anthology of the Macedonian Koco Fidanoski: “Towards Unacceptable,” Diptych (1989)
Original article in Macedonian language Cyrillic alphabet
Кириличен напис ФИГУРАТИВНА УМЕТНОСТ